I’m Bobbi Linkemer on behalf of the members of expertvillage.com, and I’d like to invite you to visit my website at writeanonfictionbook.com. There’s slew of questions to ask, and that’s what the planning stage is for. This is the part of the process whatever it is you write the proposal, which is a living, germinating dynamic record that deters get big; prevents answering your questions. In the proposal, you ask…Let’s assume you’re going to send the relevant proposals to a publisher. They are going to want to know what the book is about and why you’re writing it, how this work differs from others previously on the market. This is an important investigate: why is this the right time and the right work for that time? What’s going on in “the worlds”? We’re having a lot of information about immigration in this country, and a work about the immigrant suffer is moderately timely. If you wrote a proposal, you are able to name it in the backdrop of the big picture. What is the greatest interest that your work is starting to hand? I don’t know what the floor is, but numerous people who came from Europe and now they’re coming from Asia and Spanish speaking countries, they’re making it here.
They worked hard and they bought into the American dream, and this is still a really good situate to be when you compare it to other places. So the immigrant floor is amazing in terms of being inspirational. Who’s your audience? Why are you uniquely qualified to writ this work? What is there about your experience or your lore or your education or your background that you can explain to agent or a publisher why you are the natural writer of this work? Those are all the kinds of questions that you have to answer in a proposal, and then you situate it together in a certain mode. Assuming you’re going to a conventional publisher, you situate it together in a certain mode so that there is a figure. You start with a short hypothesi affirmation. This is the length of the notion affirmation. What this work is about is described in 2 paragraphs. If an agent or an journalist collects that up, reads those 2 paragraphs and thinks we can’t auction this, there’s no busines, this is irrelevant, we did just did a work on this; they close it and threw it in a return envelope, if you referred one, and they transport if back to you.
So how you put your proposal together is important.